Archive Search

Ascott, Roy. Cyborg est un verbe / Cyborg Is a Verb In International Directory of the Electronic Arts / Guide International des Arts Electroniques, edited by A. Bureaud, 8 -13. London: John Libby, 1995.

Weibel, Peter. Gesänge des Pluriversums In Ars Electronica 1986 (Band 2), edited by Gottfried HattingerVol.2. , 73-80. : Linzer Veranstaltungsgesellschaft mbH, 1986.

Dreher, Thomas, ed. Ars Electronica 1995: Mythos Information - Welcome to the Wired World. New York, Wien: Springer Verlag, 1995.

Ascott, Roy. Art and Education in the Telematic Culture / Kunst und Erziehung in der telematischen Kultur In Synthesis - Visual Arts in the Electronic Culture / Die visuellen Künst in der elektronischen Kultur., edited by M. Eisenbeis and H.

Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.

Weibel, Peter; u.a.. Neue Berufsfelder und Bildproduktion. Wissensmanagment vom künstlerischen Tafelbild zu den bildgebenden Verfahren der Wissenschaft In Vom Tafelbild zum globalen Datenraum, edited by Peter WeibelOstfildern-Ruit: Hatje Cantz,

Ascott, Roy. Behaviourist Art and the Cybernetic Vision In Multimedia. From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 104-120. New York, London: W. W. Norton and Company, 2002.

Ascott, Roy. Technoetic Connectivity In Internet Art between Interacitvity, Void and Dis-Authorization, edited by N. Vlic, 63-67. Skopje: Soros Center for Contemporary Arts, 1999.

Ascott, Roy. Behaviorist Art and the Cybernetic Vision Cybernetica, Journal of the International Association for Cybernetics 9 (1966): 247-264.

Benayoun, Maurice. From Virtual to Public Space Toward an Impure Art In Understanding Mixed Reality? / Spaces for Emergent Communication, Bonn: 2001.