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Stock, Mark. Flow simulation with vortex elements In Biologically-Inspired Computing for the Arts, edited by Anna Ursyn, 18-30. Hershey, PA: IGI Global, 2012.

Beiguelman, Giselle and Lucas Bambozzi and Marcus Bastos and Rodrigo Minelli, ed. apropriations of the (un) common public and private space in times of mobility. São Paulo: Instituto Sergio Motta, 2009.

Seaman, Bill. (Re)Thinking - the body, generative tools and computational articulation, Technoetic Arts: A Journal Of Speculative Research 7, no. 3 (2010).

Nils Jean. ‘Instructions’ catalogue essay for Fieldwork 2 RCA Visual Communication Researchers Exhibition catalogue (2012).

Moes, Fabiana. Fandom como Sistema Literário: uma análise crítica do texto na Era da Reapropriação Virtual. (Fandom as a Literary System: a critical analysis of the text in Age of Re-appropiation Virtual) Master Thesis, UFPE, Recife, February 2009.

Cubitt, Sean. Videography: Video Media as Art and Culture. Communications and Culture, London: Macmillan Education, 1993.

Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.

Cubitt, Sean. The Information Environment In Ubiquitous Computing, Complexity, and Culture, edited by Ulrik Ekman and Lily Diaz and Morten SondergaardNew York: Routledge, 2015.

Baigorri, Laura. Vídeo y Net.art. Arte y comunicación en la era de la mitificación tecnológica EXIT Express , no. 31 (November 2007): 20-25.

Brea, José Luis. La Era Postmedia. Acción comunicativa, prácticas (post)artísticas y dispositivos neomediales. Col. argumentos #1, Salamanca, Spain: Ed. Centro de arte de Salamanca, 2002.