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Wertheim, Margaret. Virtual Nature: Osmose - Char Davies' Organo-Virtual Odyssey Metropolis (September 1996): 58-61.

Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: The John Hopkins University Press, 2001.

Whitelaw, Mitchell. Virtual Futures for New Media Art Artlink 19, no. 2 (1999): 53.

Bec, Louis. Über das "Wiederflottgemachte" In Cyberspace. Zum medialen Gesamtkunstwerk, edited by Peter Weibel and Florian RötzerGrafrath: Boer Verlag, 1993.

Wirths, Axel. Jeffrey Shaw-Place-a-user´s Manual In Der elektronische Raum -15 Positionen zur Medienkunst, , 214-225. Ostfildern-Ruit: Hatje Cantz, 1998.

Lintermann, Bernd. Multimediale Partnerschaften - Perspektiven von Tanz und Technologie In Maschinen, Medien, Performances, edited by Martine LeekerBerlin: Alexander Verlag, 2001.

Lozano-Hemmer, Rafael. Displaced Emperors, Relational Architecture 2 In Ars Electronica 1997: Fleshfactor / Informationsmaschine Mensch, edited by Gerfried Stocker and Christine SchöpfLinz: 1997.

Stafford, Barbara Maria. Body Criticism. Imaging the Unseen in Enlightenment Art and Medicine. Cambridge, London: The MIT Press, 1991.

Stoichita, Victor. Das selbstbewußte Bild: Vom Ursprung der Metamalerei. München, DE: Wilhelm Fink Verlag, 1998.

Stone, Allucquére Rosanne. Innocence and Awakening: Cyberdämmerung at the Ashibe Research Laboratory In Technoscientific Imaginaries: Conversations, Profiles, and Memoirs (Late Editions Cultural Studies for the End of the Century, No. 2), edited by