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Datenbank für Virtuelle Kunst
2004
Grau, Oliver and Ulrike Reinhard. Datenbank für Virtuelle Kunst In Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft, edited by Monika Fleischmann, 207-209. Heidelberg: Whois Verlag, 2004.
Alice im Pixelpark
1999
Basting, Barbara. Alice im Pixelpark http://www.xcult.org/texte/basting/ae.html.
Politische Theorien des Cyberspace
1997
Bredekamp, Horst. Politische Theorien des Cyberspace In Kritik des Sehens, edited by Ralf Konersmann, 320-339. Leipzig: 1997.
Das befreite Bild
1986
Weibel, Peter. Das befreite Bild In Kunst, neue Technologien: Standortbestimmung. Schriftenreihe der Hochschule der Künste Berlin, edited by Karl Hofer Symposium 1984Vol.7. , 125-140. Berlin, DE: Colloquium Verlag, 1986.
Automata: Seeing Cyborg Through the Eyes of Popular Culture, Computer-Generated Imagery, and Contemporary Theory
1998
Bostic, Adam I.. Automata: Seeing Cyborg Through the Eyes of Popular Culture, Computer-Generated Imagery, and Contemporary Theory Leonardo 31, no. 5 (1998).
The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art, and Technology
1995
Bredekamp, Horst. The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art, and Technology. Princeton, NJ: Markus Wiener Publishers, 1995.
Sugar ´n´Spice: Sensory Overload in Long Beach
1993
Curtis, Cathy. Sugar ´n´Spice: Sensory Overload in Long Beach Los Angeles Times (April 1993): fl4.
Virtual World
1995
Cashill, Robert. Virtual World Theatre Crafts International TCI 29, no. 2 (February 1995): 44.
Artec Biennale on an upswing, Part 2
1995
Cassim, Julia. Artec Biennale on an upswing, Part 2 The Japan Times (May 1995).
Sztuka miedzy wysoka a niska technologia
1995
Chabninski, Adam. Sztuka miedzy wysoka a niska technologia Chip Magazine (June 1995).
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