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Stafford, Barbara Maria. Kunstvolle Wissenschaft: Aufklärung, Unterhaltung und Niedergang der visuellen Bildung. Hamburg, DE: Philo Fine Arts Stiftung, 1998.

Miller, Arthur. Colliding Worlds: How Cutting-edge Science is Redefining Contemporary Art. New York City: W. W. Norton & Company; 1 edition (June 16, 2014), 2014.

Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.

Reinhuber, Elke. Augmented Reality and how to access archived media art a counterfactual media art exhibition International Conference on Virtual Systems & Multimedia (VSMM) (2014): 287-294.

McGovern, Tammy, ed. Signal Culture Cook Book. Owego, NY: Signal Culture, 2014.

McGovern, Tammy, ed. Signal Culture Cook Book. Owego, NY: Signal Culture, 2014.

Rieser, Martin and Andrea Zapp. New Screen Media: Cinema/Art/Narrative. London, UK: BFI London and ZKM Karlsruhe, 2002.

Badler, Norman and D. Metaxas and B. Webber and M. Steedman. The Center for Human Modeling and Simulation Presence 4, no. 1 (1995): 81-96.

DOMINGUES, DIANA MARIA G. L'Image, Les Circuits Electroniques Et L'Esthetique Et La Metamorphose L'esthetique Des Art Mediatiques, Montreal 2 (1995): 31-38.

Sommerer, Christa and Laurent Mignonneau. The Application of Artificial Life to Interactive Computer InstaIlations In AROB’97 International Symposium on Artificial Life and Robotics, Conference Proceedings, , 11-15. Oita: Oita University, 1997.