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Behaviour at Table
1984
Ascott, Roy. Behaviour at Table In Architectural Projects and Drawings from the Studio of Aslop, Barnett and Lyall, edited by Will Aslop and Cliff Barnett and John LyallLondon: Architectural Association, 1984.
AME (Après Musée Explorable)
1993
Benayoun, Maurice. AME (Après Musée Explorable) .
Das Bewegungs-Bild (Kino I)
1989
Deleuze, Gilles. Das Bewegungs-Bild (Kino I). Frankfurt/Main: Suhrkamp, 1989.
Die digitale Bildrevolution
1985
Weibel, Peter. Die digitale Bildrevolution In Leuchtspuren. Holographie, Licht und Computer. Kampnagelfabrik, Halle O, Hamburg vom 23.3. bis 5.5.1985, edited by Gabriele Juschka-KaiserHamburg, DE: Rheinland-Verlag, 1985.
La genèse du réalisme interactif, fausse nouvelle
1995
Benayoun, Maurice. La genèse du réalisme interactif, fausse nouvelle In Conférence du CRI université de Paris 1, Paris: 1995.
Synthèse du réalisme interactif
1995
Benayoun, Maurice. Synthèse du réalisme interactif .
Cyborg est un verbe / Cyborg Is a Verb
1995
Ascott, Roy. Cyborg est un verbe / Cyborg Is a Verb In International Directory of the Electronic Arts / Guide International des Arts Electroniques, edited by A. Bureaud, 8 -13. London: John Libby, 1995.
Paradigmes artificiels
1997
Benayoun, Maurice. Paradigmes artificiels Technicart (1997).
Gesänge des Pluriversums
1986
Weibel, Peter. Gesänge des Pluriversums In Ars Electronica 1986 (Band 2), edited by Gottfried HattingerVol.2. , 73-80. : Linzer Veranstaltungsgesellschaft mbH, 1986.
Öffentliche Bilder und Bilder der Macht
1988
Weibel, Peter. Öffentliche Bilder und Bilder der Macht In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 247-251. Linz: Gutenberg-Werbering, 1988.
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