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Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?
2001
Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?. New York, Wien: Springer Verlag, 2001.
Die virtuelle Stadt im telematischen Raum. Leben im Netz und in Online-Welten
1995
Weibel, Peter. Die virtuelle Stadt im telematischen Raum. Leben im Netz und in Online-Welten In Mythos Metropole, edited by Gotthard Fuchs and B. Moltmann and W. Prigge, 209-222. Frankfurt/Main: Suhrkamp Verlag, 1995.
Virtual Reality Technology
1994
Burdea, Grigore and Philippe Coiffet. Virtual Reality Technology. Hoboken, NJ: Wiley-IEEE Press, 1994.
Ars Electronica 2003: Code -The Language of our Time
2003
Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2003: Code -The Language of our Time. Ostfildern-Ruit: Hatje Cantz, 2003.
Press/Enter: Between Seduction and Disbelief
1995
Power Plant Contemporary Art Gallery, ed. Press/Enter: Between Seduction and Disbelief. Toronto, CAN: Premier Book Marketing, 1995.
The Composite State of Being - Notes on the Technoetic Implication of Mixed Reality
2001
Frauenhofer Institute for Media Communication, ed. The Composite State of Being - Notes on the Technoetic Implication of Mixed Reality. Sankt Augustin: 2001.
Thomas Hobbes: Visuelle Strategien
2002
Bredekamp, Horst. Thomas Hobbes: Visuelle Strategien. Berlin: Akademie Verlag GmbH, 2002.
Storia del Panorama: La visione totale nella pittura del XIX secolo
1984
Bordini, Silvia. Storia del Panorama: La visione totale nella pittura del XIX secolo. Collana di architettura; 26, Roma: Officina Ed., 1984.
Kunstgeschichte im "Icon Turn". Interview mit Hans Dieter Huber und Gottfried Kerscher
1998
Bredekamp, Horst. Kunstgeschichte im "Icon Turn". Interview mit Hans Dieter Huber und Gottfried Kerscher Kritische Berichte. Zeitschrift für Kunst- und Kulturwissenschaften 26, no. 1 (1998): 85-93.
Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst
2000
Weibel, Peter. Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst Die Welt (February 25th 2000): 34.
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