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Impressions. Noise Factor/ Figures of
Author
ity
1989
... Factor/ Figures of
Author
ity Perspectief (1989).
Charlie Chaplin, Stelarc and the Future of Humanity
1989
Penny, Simon. Charlie Chaplin, Stelarc and the Future of Humanity Artlink 9, no. 1 (1989).
The Darwin Machine: Artificial Life and Interactive Art
1996
Penny, Simon. The Darwin Machine: Artificial Life and Interactive Art New Formations 29 (1996): 65.
Electronic Arts Practice: Experiences in Australia and the USA
1994
Penny, Simon. Electronic Arts Practice: Experiences in Australia and the USA Continuum 8, no. 1 (1994).
Mobile Robots: Inspiration to Implementation (Review)
1994
Penny, Simon. Mobile Robots: Inspiration to Implementation (Review) Leonardo 27, no. 4 (1994): 361-362.
Invencao 99 Sao Paolo, Brazil: Thinking the Next Millenium
1999
Kutschat, Daniela. Invencao 99 Sao Paolo, Brazil: Thinking the Next Millenium Leonardo 33, no. 3 (1999): 225-227.
Beam me up, Mr. Ascott: web.art, net.art, arte em redes telemáticas
2001
Michelin, Simone. Beam me up, Mr. Ascott: web.art, net.art, arte em redes telemáticas Rioartes 10, no. 28 (2001): 24-25.
Google et au-delà: Interview by Ariel Kyrou
2009
Bruno, Christophe. Google et au-delà: Interview by Ariel Kyrou Multitudes 36 (2009).
Epigenetic Painting: Software As Genotype, A New Dimension of Art
1990
Verostko, Roman. Epigenetic Painting: Software As Genotype, A New Dimension of Art Leonardo 23, no. 1 (1990): 17-23.
World Skin, a photo safari in the Land of War
2008
Benayoun, Maurice. World Skin, a photo safari in the Land of War sk-Interfaces (2008).
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