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Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre
2017
Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).
Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976
1992
Dreher, Thomas. Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main: Peter Lang, 1992.
Hot Spots - Texte in Bewegung und die elektronischen Medien
1996
Frieling, Rudolf. Hot Spots - Texte in Bewegung und die elektronischen Medien Kunstforum 133 (1996): 475-477.
Virtualität und Interaktivität als Medium - Die Auflösung des Raumes
1996
Fleischmann, Monika. Virtualität und Interaktivität als Medium - Die Auflösung des Raumes Der GMD Spiegel 1 (1996): 42-44.
Film Medium: Zoe Beloff´s Uncanny Resurrections
2002
McCleave, Leslie. Film Medium: Zoe Beloff´s Uncanny Resurrections Res Magazine 5, no. 3 (2002).
Gene Culture: Molecular Metaphor in Visual Art
2000
Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.
Autonomous Creations: Birthing Intelligent Agents
1998
Binkley, Timothy. Autonomous Creations: Birthing Intelligent Agents Leonardo 31, no. 5 (1998): 333-336.
Theater
with
out Actors - Immersion and Response in Installation
1994
...Dove, Toni. Theater
with
out Actors - Immersion and Response...
From Kaleidoscomaniac to Cybernerd. Notes toward an Archeology of the Media
1997
Huhtamo, Erkki. From Kaleidoscomaniac to Cybernerd. Notes toward an Archeology of the Media Leonardo 30, no. 3 (1997): 221-224.
Pittura Culta: Current Italian Neoclassicism
1985
Penny, Simon. Pittura Culta: Current Italian Neoclassicism Art Network (1985).
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