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Berlot, Uršula. The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art Sodobnost, nov. 2010/74. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2010).

Kelso, Margret Thomas and Peter Weyhrauch and Joseph Bates. Dramatic Presence Presence 2, no. 1 (1993).

Stafford, Barbara Maria. Body Criticism. Imaging the Unseen in Enlightenment Art and Medicine. Cambridge, London: The MIT Press, 1991.

Gombrich, Ernst Hans. Kunst und Fortschritt. Wirkung und Wandlung einer Idee. Köln: DuMont Buchverlag, 2002.

Hayles, Katharine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information. Chicago, London: University of Chicago Press, 1999.

RADIANCE. The International Research Platform For Virtual Reality Experiences in Art https://www.radiancevr.co/artists/banz-bowinkel/banz-bowinkel-mercury/.

DOMINGUES, DIANA MARIA G. Arte, Ciência e Tecnologia: Passado, presente e desafios. São Paulo: Editora UNESP, 2009.

Bódy, Veruschka and Peter Weibel. Clip, Klapp, Bum. Von der visuellen Musik zum Musikvideo. Köln: DuMont, 1991.

Fleischmann, Monika and Wolfgang et.al. Fleischmann. Through Artificial Neural Networks into Virtual Realities In Proceedings of ICASSE´94, Erlangen: 1994.

Fleischmann, Monika and Wolfgang Strauss. The Virtual Balance: An Input Device for VR Environments. : GMD Forschungszentrum Informationstechnik, 1999.