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Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima
2005
Arns, Inke and Jacob Lillemose. Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima new media, actual art 13 (2005): 164-175.
Le devenir de l´A.M.E., la réalité virtuelle comme écosystème pour la création artistique
2010
Benayoun, Maurice. Le devenir de l´A.M.E., la réalité virtuelle comme écosystème pour la création artistique In Design assisté par concepteur, actes colloque 01 Design, : Europia, 2010.
Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance
2010
Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.
Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition
2010
Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art
2009
Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic
Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions"
2009
Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
2008
Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
Introduction to Distributed Communications Networks
1964
Baran, Paul. Introduction to Distributed Communications Networks In On Distributed Communications. Rand Corporation Memorandum, edited by Rand CorporationSanta Monica: RAND, 1964.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
2007
Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by
Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst
2006
Beckmann, Otto and Barbara Nierhoff, ed. Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst. Bremen: Kunsthalle Bremen, 2006.
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