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Ellen Pearlman. The brain as a site specific performative space https://tandfonline.com/doi/full/10.1080/14794713.2015.1084810.

Pearlman, Ellen. The Brain As Site Specific Surveillant Performative Space International Journal of Performance Arts and Digitial Media 11,Issue 2 (November 2015).

Fleischmann, Monika and Jasminko Novak and WolfgangAND Kaliva Strauss and Predrag Peranovic. On-line and on-site on equal terms I3 magazine The European Network for Intelligent Information Interfaces , no. 7 (2000).

Weibel, Peter. Das Bild ist von der Leinwand auf den Schirm gewandert. In Zukunft haben im Museum alle Gattungen und Medien Platz Die Welt (June 17th 1999): 16.

Castillo, Michelle. Site Steals 250,000 Facebook Profiles For A “Social Experiment” [].

Helyer, Nigel. The Nomadic Ear in: Sonography, Cartography and the design of Sonic Narratives for Nonlinear Experience. Site of Sound: Of Architecture and the Ear. Vol.2. Berlin: LaBelle, Brandon & Marthino, Claudia, 2011.

Fisher, Scott S.. Environmental Media: Accessing Virtual Representations of Real-Time Sensor Data and Site-specific Annotations Embedded in Physical Environments In Proc. of the Seventh International Conference on Virtual Systems and Multimedia

Andres Burbano. Home Site Home LatinArt.com (NOVEMBER 2001).

Weibel, Peter. Wissen und Vision. Neue Schnittstellentechnologien der Wahrnehmung In Weltwissen Wissenswelt. Das globale Netz von Text und Bild, edited by Christa Maar and Hans-Ulrich Obrist and Ernst Pöppel, 66-73. Köln, DE: 2000.

Grau, Oliver. Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz In Das bewegte Bild: Film und Kunst, edited by Thomas Hensel and Klaus Krüger and Tanja Michalsky, 419 - 448. München: