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Reaney, Mark. Virtual Scenography: The Actor/Audience/Computer Interface Theatre Design and Technology 32, no. 1 (Winter 1996): 36-43.

Milroy, Sarah. Janet Cardiff : the former printmaker hit her stride with electronic art, winning acclaim this year at the National Gallery and the Venice Biennale The Globe and mail (December 29th 2001).

Pui, Susan. Journeys, Documenting, Indexing, Archives, and Practice-based Research: A Conversation with susan pui san lok’, Art Journal 65, no. 4 (Winter 2006): 18-35.

Dixon, Steve. Metal Performance: Humanizing Robots, Returning to Nature, and Camping About TDR 48, no. 4 (Winter 2004).

Ryan, Marie-Laure. Looking through the computer screen: Self-reflexivity in net.art In Self-reference in the media, edited by Winfried Nöth and Nina Bishara, 269-290. Berlin: Mouton de Gruyter, 2007.

Thiel, Tamiko. Life at the Interface of Art and Technology On Screen 18, no. 1 (Winter 2007): 32-34.

Gessner, Ingrid. From Sites of Memory to Cybersights: (Re)Framing Japanese American Experiences. Heidelberg: Winter, 2007.

Huhtamo, Erkki. Watching the Borders and Peeking Beyond: Astronomical Demonstration Instruments as a Challenge for Screenology Écranosphère 1, no. 1 (Winter 2014).

Huhtamo, Erkki. Screen Tests: Why Do We Need an Archaeology of the Screen? Cinema Journal 51, no. 2 (Winter 2012): 144-148.

...Huhtamo, Erkki. Slots of Fun, Slots of Trouble: Toward an Archaeology of Electronic Gaming In Handbook of Computer Games Studies, edited by...