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Art Collider: Towards Transactional Aesthetics 2011

Benayoun, Maurice. Art Collider: Towards Transactional Aesthetics In AAO Project Conference Proceedings, Athens: Papasotiriou Publishing, 2011.
As We May Think 1945

Bush, Vannevar. As We May Think The Atlantic Monthly 176, no. 1 (1945): 101-108.
An Atlas of Small Voyages 2013

Helyer, Nigel. An Atlas of Small Voyages LAND , no. 1 (2013).
hell-gruen. alias - Atelier für Spaziergangsforschung 2002

... Spaziergangsforschung. Düsseldorf: Kulturamt Düsseldorf, 2002.
Fin Arts – Die feine Kunst und die Kunst der Finanzen 2010

Athanassakis, Irini:. Fin Arts – Die feine Kunst und die Kunst der Finanzen Kunstforum International , no. 200 (2010): 75-78.
Making Things Public. Atmospheres of Democracy 2005

Latour, Bruno and Peter Weibel, ed. Making Things Public. Atmospheres of Democracy. Cambridge, Mass: MIT Press, 2005.
Monumental Attractions: An Archaeology of Public Media Interfaces 2011

Huhtamo, Erkki. Monumental Attractions: An Archaeology of Public Media Interfaces In Interface Criticism: Aesthetics Beyond Buttons, edited by Christian Ulrik Andersen and Soeren Bro Pold, 21-42. Aarhus: Aarhus University Press, 2011.
Olga Kisseleva: atelier de production 2009

Illouz Audrey. Olga Kisseleva: atelier de production. Paris: Centre Photographique Ile de France (CPIF), 2009.
Digital Art in Cuba: Increasing enthusiasm for Digital Art 2002

Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).
Nothing and Everything: The Influence of Buddhism On the American Avant Garde, 1942-1962. 2012

Pearlman,Ellen. Nothing and Everything: The Influence of Buddhism On the American Avant Garde, 1942-1962.. Berkeley: North Atlantic Books, 2012.

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