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Flür, Wolfgang. Kraftwerk: I Was a Robot. London: Sancturay Pub Limited, 2003.

Seaman, Bill. Recombinant Poetics. Emergent Explorations of Digital Video in Virtual Space In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappLondon, UK: ZKM Karlsruhe and BFI London, 2002.

Graham, Beryl. Not A Show About New Technology, A Show About Interaction In Serious Games, London: Barbican Art Gallery and Tyne and Wear Museums, 1996.

Hales, Chris. New Paradigms = New Movies, Interactive Film and New Narrative Interfaces In New Screen Media: Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappKarlsruhe: ZKM and BFI London, 2002.

Hershman, Lynn. Room of One´s Own - Slightly Behind The Scenes In Iterations: the New Image, edited by Timothy Druckery, 150-156. Cambridge, London: MIT Press, 1994.

Schroeder, Michael and Daniela A. Plewe and Andreas Raab. Ultima Ratio - A Visual Language for Argumentation In Proceedings of International Conference on Information Visualisation, London, UK, edited by IEEE Computer SocietyVol.IV. , 510-515.

Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Deep Storage, edited by Ingrid Schaffner and Matthias et.al. WinzenMünchen, London, New York: Prestel, 1998.

Brown, Richard and Lane Giles, ed. Biotica: Art, Emergence and Artificial Life. London: RCA Computer Related Design Research, 2001.

Prophet, Jane. Imag(in)ing the Cyborg In Desire by Design: Body, Territory and New Technologies, edited by Cutting Edge Research Group, 51-60. London, UK: IB Taurus, 1998.

Gombrich, Ernst Hans. Shadows. The Depiction of Cast Shadows in Western Art. London: National Gallery Publications, 1995.