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Badler, Norman and D. Metaxas and B. Webber and M. Steedman. The Center for Human Modeling and Simulation Presence 4, no. 1 (1995): 81-96.

Von Amelunxen, Hubertus and Florian Rötzer, ed. Photography after the Photography. Memory and Representation in the Digital Age. Amsterdam: Art Stock, 1996.

Grau, Oliver. Rhizome_Raw: Database of Virtual Art, Humboldt University of Berlin Leonardo 8, no. 3 (March 2000): 5-6.

Hung, Wu. The Double Screen. Medium and Representation in Chinese Painting. Chicago, IL: University of Chicago Press, 1997.

Weibel, Peter. Die neuen Bilder. Peter Weibel und Hubert Burda im Gespräch In Hubert Burda. Kunst und Medien, edited by Judith Betzler, 188-191. München, DE: Econ Verlag, 2000.

Barfield, Woodrow and Claudia Hendrix and Kurt Kaczmarek and Lotens, Wouter. Comparison of Human Sensory Capabilities with Technical Specifications of Virtual Environment Equipment Presence 4, no. 4 (1995): 329-356.

Benayoun, Maurice. Un monde trop humain. Nouveaux, Meilleurs et autres Mondes La Mazarine (Autumn 1999): 1; 100-105; 138.

Ascott, Roy. Cultivando o hipercórtex In A Arte no Século XXI: A humanização das technologias, edited by Diana Domingues, 336-344. Sao Paulo: University of São Paulo, 1997.

Domingues, Diana. A Arte no Século XXI: a humanização das tecnologias. São Paulo, BR: Editora UNESP, 1997.

Bolt, Richard A.. The Human Interface: Where People and Computers meet. Stamford, Connecticut, US: Wadsworth Publishing Company, 1984.