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Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).

Benayoun, Maurice. L´art soumis à la Question par la technologie. Interview par Charles de Meaux Cultures en Mouvement , no. 15 (March 1999).

Benayoun, Maurice. Un monde trop humain. Nouveaux, Meilleurs et autres Mondes La Mazarine (Autumn 1999): 1; 100-105; 138.

Benayoun, Maurice. Art Impact, La mémoire partagée à perte de vue Ecart , no. 2 (2000).

Benayoun, Maurice. From Virtual to Public Space Toward an Impure Art In Understanding Mixed Reality? / Spaces for Emergent Communication, Bonn: 2001.

Benayoun, Maurice. On Line, Life Line, Art Shifts e-what, Conquest of Time (April 2002).

Weibel, Peter. Über die Grenzen des Realen: Der Blick und das Interface In Der Entfesselte Blick, edited by Gerhard Johann Lischka, 218-245. Bern, CH: Benteli Verlag, 1993.

Bredekamp, Horst. Der simulierte Benjamin: Mittelalterliche Bemerkungen zu seiner Aktualität In Frankfurter Schule und Kunstgeschichte, edited by Andreas Berndt and Peter Kaiser and Angela Rosenberg and Diana Trinkner, 117-140. Berlin: Reimer,

Fisher, Scott S.. Viewpoint Dependent Imaging: An interactive stereoscopic display In Proc. SPIE367, edited by S. Benton: J.J. Pearson, 1982.

Fisher, Scott S. and Tatsya Saito and Ian McDowall and Nakayama, Yuuta and Mark Bolas and Kenji Kohiyama. Micro Archiving and Interactive Virtual Insect Exhibit In Stereoscopic Displays and Virtual Reality Systems IX, edited by S. Benton and J.