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Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley, CA: University of California Press, 1994.

Lange, Andreas. Extra Life. Über das Sterben in Computerspielen In game_over. Spiele, Tod und Jenseits, edited by Arbeitsgemeinschaft Friedhof und Denkmal e.V., 93-104. Kassel: Zentralinstitut und Museum für Sepuralkultur, 2002.

Grau, Oliver. Integrando a arte-midia em nossa cultura. Historia da arte como ciencia da imagem In Imagem (Ir)Realidade. Comunicacao e cibermidia, edited by Denize Correa Araujo, 259 - 270. : Editora Sulina, 2006.

Del Favero, Dennis and Peter Weibel and Jeffrey Shaw. Towards a Dialogic Concept of Digital Narrative In Disappearing Architecture: From Real to Virtual to Quantum, edited by G. Flachbart and Peter Weibel, 144-151. Basel: Birkhauser Verlag, 2005.

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by

Bill, Max. Die mathematische Denkweise in der Kunst unserer Zeit. : 1949.

Thiel, Tamiko. The Design of the Connection Machine In The Designed World: Images, Objects, Environments, edited by Richard Buchanan and Dennis Doordan and Victor Margolin, 155-166. Oxford/New York: Berg, 2010.

Kera Denisa. Innovation regimes based on collaborative and global tinkering: Synthetic biology and nanotechnology in the hackerspaces Elsevier- Technology in Society (2013): 10.

Kera Denisa. Hackerspaces and DIYbio in Asia: connecting science and community with open data, kits and protocols Journal of Peer Production (June 2012): 8.

Kera Denisa. Post-Apocalyptic Citizenship and Humanitarian Hardware In Nuclear Disaster at Fukushima Daiichi, edited by Richard HindmarshRoutledge Studies in Science, Technology and Society, , 222. London, Great Britain: Routledge, 2013.