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Les artistes 100 tetes: Multitext, Xenomoney, Xenospace 2008

Cameron, Angus. Les artistes 100 tetes: Multitext, Xenomoney, Xenospace .
V =/ L Book 2008

Barral, Xavier and Ryoji Ikeda and Caroline Naphegyi, ed. V =/ L Book. Paris, FR: Editions Xavier Barral, 2008.
Experience – Memory – Identity: Media Experiences as the Foundations of Hybridized Identity 2013

Kluszczyński, Ryszard W.. Experience – Memory – Identity: Media Experiences as the Foundations of Hybridized Identity Art Inquiry XV, no. XXIV (2013): 31-46.
The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art 1997

Kluszczyński, Ryszard W.. The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art In Martinis – Observatorium: Video/Audio/Interactive Installations [La Biennale di Venezia. XLVII Esposizione Internazionale d'Arte], edited by
"Wtf" Net works. Case Studies in Web Art and Design 2011

xtine burrough, ed. "Wtf" Net works. Case Studies in Web Art and Design. London: Routledge, 2011.
Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. 2013

... Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. Interactive Storytelling. Springer...
Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. 2013

... Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. Interactive Storytelling. Springer...
Arte pós-virtual: criação e agenciamento no tempo da Internetdas Coisas e da próxima natureza(Post virtual: art in the Internet of Things age 2013

... Internacionais Vale, , 146-176. Vitória: Museu da Vale do Rio Doce, 2013.
El vídeo y las vanguardias históricas 1997

...igorri, Laura. El vídeo y las vanguardias históricas. Colección Textos Docentes n°.95, Barcelona, Spain: Edicions de la Universitat de...
Agencia, materialidad y documentación del arte de los medios 2014

...Alsina, Pau and Vanina Hofman. Agencia, materialidad y documentación del arte de los medios ICONO14 12, no. 2 (2014): 56-69.

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