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As We May Think
1945
Bush, Vannevar. As We May Think The Atlantic Monthly 176, no. 1 (1945): 101-108.
An Atlas of Small Voyages
2013
Helyer, Nigel. An Atlas of Small Voyages LAND , no. 1 (2013).
hell-gruen. alias - Atelier für Spaziergangsforschung
2002
Witzmann, Pia and Ulla Lux. hell-gruen. alias - Atelier für Spaziergangsforschung. Düsseldorf: Kulturamt Düsseldorf, 2002.
Monumental Attractions: An Archaeology of Public Media Interfaces
2011
Huhtamo, Erkki. Monumental Attractions: An Archaeology of Public Media Interfaces In Interface Criticism: Aesthetics Beyond Buttons, edited by Christian Ulrik Andersen and Soeren Bro Pold, 21-42. Aarhus: Aarhus University Press, 2011.
Fin Arts – Die feine Kunst und die Kunst der Finanzen
2010
Athanassakis, Irini:. Fin Arts – Die feine Kunst und die Kunst der Finanzen Kunstforum International , no. 200 (2010): 75-78.
Making Things Public. Atmospheres of Democracy
2005
Latour, Bruno and Peter Weibel, ed. Making Things Public. Atmospheres of Democracy. Cambridge, Mass: MIT Press, 2005.
Olga Kisseleva: atelier de production
2009
Illouz Audrey. Olga Kisseleva: atelier de production. Paris: Centre Photographique Ile de France (CPIF), 2009.
Digital Art in Cuba: Increasing enthusiasm for Digital Art
2002
Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).
Nothing and Everything: The Influence of Buddhism On the American Avant Garde, 1942-1962.
2012
Pearlman,Ellen. Nothing and Everything: The Influence of Buddhism On the American Avant Garde, 1942-1962.. Berkeley: North Atlantic Books, 2012.
Synthetisch: Biologie und Kunst
2018
Hauser, Jens and Ingeborg Reichle and Hans-Jörg Rheinberger. Synthetisch: Biologie und Kunst In Experimentalität: Hans-Jörg Rheinberger im Gespräch über Labor, Atelier und Archiv, edited by Hans-Jörg Rheinberger, 94-103. Berlin: Kulturverlag
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