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Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie
1996
Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).
Art Impact, La mémoire partagée à perte de vue
2000
Benayoun, Maurice. Art Impact, La mémoire partagée à perte de vue Ecart , no. 2 (2000).
Kunst als offenes Handlungsfeld / Art as open practice
1999
Weibel, Peter. Kunst als offenes Handlungsfeld / Art as open practice In Offene Handlungsfelder. Open Practices. Prassi aperta, Österreichischer Pavillon, 45. Biennale von Venedig, edited by Peter Weibel and Ecke Bonk, 9-21 and 22-35. Köln: DuMont
Le mariage de l´art et de la technologie
1994
Corbou, Michael. Le mariage de l´art et de la technologie Enjeux les Ecoes 93 (1994).
La lumière et le visiteur
1992
Courchesne, Luc. La lumière et le visiteur In L´éclairage dans le institutions muséales, , 19-34. Quebec City: Museé de la civilisation and Sociéte des musées québécois, 1992.
Luc Courchesne
1999
Courchesne, Luc. Luc Courchesne In Rewind to the Future, edited by Anniele Pohlen and Petra Unnützer and Jo EckhardtBonn: Bonner Kunstverein, 1999.
Realistic Modeling and Rendering of Plant Ecosystems
1998
Deussen, Oliver and Pat Hanrahan and Bernd et. al. Lintermann. Realistic Modeling and Rendering of Plant Ecosystems In SIGGRAPH ´98, conference proceedings, Orlando: 1998.
The Emotion of Cyberspace: Art and Cyber-Ecology
1994
Dyens, Olliver. The Emotion of Cyberspace: Art and Cyber-Ecology Leonardo 27, no. 4 (July/August 1994).
Komputer marzy
1995
Eczorek, Ewa. Komputer marzy Gazeta Stoleczna (April 1995).
Virtual Ecology
1997
Wertheim, Margaret. Virtual Ecology .
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