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Ming Turner. Ming Turner, “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” (2010).

Fleischmann, Monika and Wolfgang Strauss. Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum Kritische Szenografie: Die Kunstausstellung im 21. Jahrhundert, edited by Kai-Uwe Hemken, Bielefeld: transcript

Bašin, Miloš. Uršula Berlot: Introspekcija/Introspection Bežigrajska Gallery 2, 1st. – 29th of September 2010. Ljubljana: Museum and Galleries of Ljubljana

Casares, Nilo. infocidio 2.0 In II Congreso Internacional de Investigación en Artes Visuales ANIAV 2015, edited by Asociación Nacional de Investigadores en Artes Visuales (ANIAV)Vol.1. , 4. Valencia, Spain: ANIAV, 2015.

Gates-Stuart E; Lovell D; L. Nyugen C; Adcock M; Bradley J; Morell M;. Art and Science as Creative Catalysts (Special Section of Leonardo Transactions “Highlights from the IEEE VIS 2013 Arts Program (VISAP’13), edited by Angus Forbes.”.

Aprile Francesco, Caggiula Cristiano. About Asemic Writing. Vol.september 2015. Utsanga.it th ed.Italy: Utsanga.it, 2015.

Berlot, Uršula.. Space and Light in 20th Century Installation Art Praznine 08/2015. Ljubljana: Umetniško izobraževalno društvo Praznine (2015).

Grau, Oliver and Jonathan P. Bowen and Kia Ng. Renewing Knowledge Structures for Media Art In EVA London 2010: Electronic Visualisation and the Arts, edited by Alan Seal, 286-295. Swindon: British Computer Society, 2010.

Hogan, Sinead. International experts in Cavan for Seeing Beyond The Lens’ Anglo-Celt (July 2010): http://www.anglocelt.ie/news/roundup/articles/2010/07/14/3998539-international-experts-in-cavan-for-seeing-beyond-the-lens/print.

Farkas, Solange and Teté Martinho, ed. VIDEOBRASIL Três décadas de vídeo, arte, encontros e transformações. 2015 th ed.São Paulo, Brasil: dições Sesc São Paulo, 2015.