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Creating Synthetic Identities in I'Myth: Zapping Zone
2007
DOMINGUES, DIANA MARIA G and Eliseo Berni REATEGUI. Creating Synthetic Identities in I'Myth: Zapping Zone Crossings Ejournal Of Art And Technology 5 (2007): 1.
Criação Digital: do hibridismo e simulação das imagens à natureza experiencial da software art.
2007
DOMINGUES, DIANA MARIA G. Criação Digital: do hibridismo e simulação das imagens à natureza experiencial da software art. Revista Polêmica 19 (2007): 19.
TerrariumPlaces
2004
DOMINGUES, DIANA MARIA G. TerrariumPlaces A Subversão dos Meios (2004).
Terrarium Places
2004
DOMINGUES, DIANA MARIA G. Terrarium Places Maior Ou Igual a 4d Arte Computacional Interativa (2004): 30-35.
The Immersive Poetics of Artificial Worlds
2004
DOMINGUES, DIANA MARIA G. The Immersive Poetics of Artificial Worlds VII Symposium On Virtual Reality Svr (2004).
The interfaced subject immersed in virtual spaces
2004
DOMINGUES, DIANA MARIA G. The interfaced subject immersed in virtual spaces . Körper Verkörperung Entkörpeung Body Embodiment Desimbodiment (2004): 19-21.
Collaborative and Transdisciplinary practices in Cyberart: from Multimedia to Software Art installations
2006
DOMINGUES, DIANA MARIA G and Eliseo REATEGUI. Collaborative and Transdisciplinary practices in Cyberart: from Multimedia to Software Art installations Art Inquiry 8 (2006): 113-143.
Firmamento Pop Stars, HeartScapes - Paisagens do coração - imersão na caverna de realidade virtual, RV Aquarium, I'Mito: zapping zone, Trans-e: my body, my blood
2005
DOMINGUES, DIANA MARIA G and Grupo Artecno. Firmamento Pop Stars, HeartScapes - Paisagens do coração - imersão na caverna de realidade virtual, RV Aquarium, I'Mito: zapping zone, Trans-e: my body, my blood Revista Polêmica , no. 14 (2005).
Latin American Art of the 20th Century
2004
Edward Lucie-Smith, ed. Latin American Art of the 20th Century. New York: Thames & Hudson, 2004.
Latin American Art of the 20th Century
2004
Edward Lucie-Smith, ed. Latin American Art of the 20th Century. New York: Thames & Hudson, 2004.
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