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Collins, Susan. The Actual and the Imagined In Networked Narrative Environments as Imaginary Spaces of Being, edited by Andrea ZappManchester: Cornerhouse Publications, 2004.

Ascott, Roy. Gesamtdatenwerk: Connectivity, Transformation, and Transcendence In Ars Electronica: Facing the Future, edited by Timothey Druckrey, 86-89. Cambridge: MIT Press, 2001.

Belting, Hans. Bild-Antropologie: Entwürfe für eine Bildwissenschaft. München: Fink, 2001.

Weibel, Peter. Wissen und Vision. Neue Schnittstellentechnologien der Wahrnehmung In Weltwissen Wissenswelt. Das globale Netz von Text und Bild, edited by Christa Maar and Hans-Ulrich Obrist and Ernst Pöppel, 66-73. Köln, DE: 2000.

Tosa, Naoko. Expression of Emotion, Unconsciousness with Art and Technology In Affective Minds, edited by Giyoo Hatano and Naoyuki Okada and Hiritaka Tanabe, 183-201. Philadelphia: Elsevier Science Health Science Division, 2000.

Collins, Susan. Inhabited ConTime. Artists pages Millennium Film Journal (Winter 2003).

Weibel, Peter; u.a.. Neue Berufsfelder und Bildproduktion. Wissensmanagment vom künstlerischen Tafelbild zu den bildgebenden Verfahren der Wissenschaft In Vom Tafelbild zum globalen Datenraum, edited by Peter WeibelOstfildern-Ruit: Hatje Cantz,

Ascott, Roy. Behaviourist Art and the Cybernetic Vision In Multimedia. From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 104-120. New York, London: W. W. Norton and Company, 2002.

Benayoun, Maurice. Art Impact, La mémoire partagée à perte de vue Ecart , no. 2 (2000).

Benayoun, Maurice. From Virtual to Public Space Toward an Impure Art In Understanding Mixed Reality? / Spaces for Emergent Communication, Bonn: 2001.