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Grau, Oliver and Kiyofumi Motoyama and Yoshiomi Yamaguchi. The Art of the Interface in Mixed Realities - Predecessors and Visions In ISEA 2002, 11th International Symposium on Electronic Art, edited by Masao Kohmura, 97-100. Nagoya, Japan: 2002.

Grau, Oliver. Das Sedanpanorama: Einübung soldatischen Gehorsams im Staatsbild durch Präsenz In Medien der Präsenz. Museum, Bildung und Wissenschaft im 19. Jahrhundert, edited by Jürgen et. al. Fohrmann, 143-169. Köln: DuMont, 2001.

Grau, Oliver. Telepräsenz: Zu Genealogie und Epistemologie von Interaktion und Simulation In Formen interaktiver Medienkunst. Geschichte, Tendenzen, Utopien, edited by Peter et. al. Gendolla, 39-63. Frankfurt/Main: Suhrkamp, 2001.

Shaw, Jeffrey. Tube over the Maschsee Studio International 180, no. 928 (December 1970): 253.

Fujihata, Masaki. On Interactivity / Interaktivität In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfVienna, New York: Springer, 2001.

Penny, Simon. Prefiguring Cyberculture, an intellectual history In Traces, edited by Darren Tofts and Annemarie Jonson and Alessio CavallaroCambridge, MA: MIT Press, 2004.

Drucker, Johanna. Simon Penny Art Journal 56, no. 3 (Fall 1997).

Sermon, Paul. From Telematic Man to Heaven 194.94.211.200 In Consciousness Reframed, Proceedings of the First CAiiA Research Conference, University of Wales College, Newport, University of Wales College, Newport: 1997.

Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Deep Storage, edited by Ingrid Schaffner and Matthias et.al. WinzenMünchen, London, New York: Prestel, 1998.

Morse, Margaret. Paul Sermon - Holder of ZKM Stipend 1993 .