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Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition 2010

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art 2009

... of Meaning: a performance study perspective...
Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" 2009

Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe 2010

... | Aurality´s Force: Music and Sound in the...
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2008

... in Live Performance In CMMR Post...
Introduction to Distributed Communications Networks 1964

Baran, Paul. Introduction to Distributed Communications Networks In On Distributed Communications. Rand Corporation Memorandum, edited by Rand CorporationSanta Monica: RAND, 1964.
Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst 2006

Beckmann, Otto and Barbara Nierhoff, ed. Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst. Bremen: Kunsthalle Bremen, 2006.
Technology and Art 15: Computer Graphics at Brunel 1970

Benthall, Jonathan. Technology and Art 15: Computer Graphics at Brunel Studio International 197, no. 923 (1970): 247-248.
6th Annual Computer Art Contest 1968

Berkeley, Edmund C.. 6th Annual Computer Art Contest Computers and Automation 17, no. 8 (1968): 6.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2007

... In Proceedings for the 2007 International...

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