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DOMINGUES, DIANA MARIA G. Re-encanto do concreto por sistemas enativos afetivos: a naturalização das tecnologias no ecossistema Revista de Artes Visuais 24 (2019): 1-31.

Kundračíková Barbora and SEFO. SEFO 2021 Triennial of Central European Culture and Art – Universum Olomouc Museum of Art, Olomouc (2021).

DOMINGUES, DIANA MARIA G and Anderson MACIEL and Henrique DEBARBA and Jeronimo G GRANDI and Luciana P NEDEL. WindWalker: using Wind as an orientation tool in virtual environments SVR 2009 – XI Symposium on Virtual And Augmented Reality (2009):

DOMINGUES, DIANA MARIA G and Eliseo REATEGUI and Gelson Cardoso REINALDO and Alexandre LORENZATTI. Mixed Realities in the Living Tattoos Social Platform Urban Mixed Realities: Technologies, Theories and Frontiers, Presence, place, collaboration,

DOMINGUES, DIANA MARIA G. A emergência de emoções Artificiais: a condição interface ada vivida seamless, nômade, móvel e autônoma em Ciberinstalações Emoção Artificial 3.0 interfaces cibernética (2007).

DOMINGUES, DIANA MARIA G and Günther Johannes Lewckuk GERHARDT. Exchanges of eletric human signals and artistic immersive poetics In Art et Biotechnologies, edited by Louise POISSANT and Ernestine DAUBNERMontréal: Presses de L’Université du

DOMINGUES, DIANA MARIA G and Adson Ferreira da Rocha and Tiago Lucena and Cristiano Miosso and F. Rosa. INNOVATION IN ART AND TECHNO SCIENCE TOWARDS CREATIVE TECHNOLOGIES AND THE TRANSDISCIPLINARY RESEARCH FOR THE REINVENTION OF LIFE Leonardo

Puncer, Mojca. Towards a Philosophy of Contemporary Art in Slovenia: Some Emphases Likovne besede / Art Words , no. 119 (2021): 34-55.

Gnamuš, Nadja. Tendencies in Abstraction. Systems, Techno Organisms, Information: 'S' Gallery. 13. 4. - 5. 6. 2022 Ljubljana: Ljubljana Fine Artists Society (2023).

GRAHAM, BERYL and SARAH COOK. RETHINKING CURATING: ART AFTER NEW MEDIA. USA: LEONARDO PRESS, 2010.