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Lacy, Suzanne, ed. Mapping the Terrain: New Genre Public Art. : Bay Press, 1994.

Weibel, Peter and Otto E. Rössler. The two Levels of Reality - Exo and Endo In Art Lab 1st Symposium, The Current Condition and the Future of Digital Art, edited by Y. Shihata, 16. Tokyo, Japan: Canon, 1991.

Minsky, Marvin. Die künftige Verschmelzung von Wissenschaft, Kunst und Psychologie In Ars Electronica 1990: Digitale Träume, Virtuelle Welten, edited by Gottfried Hattinger and Peter WeibelVol.2. Linz: Veritas-Verlag, 1990.

Pommier, Edouard. Théories du portrait. De la Renaissance aux Lumières. Paris: Gallimard, 1998.

Legrady, George and Brigitte Steinheider. Realizing a Digital Media Installations: Problems and Synergetic Effects of an Interdisciplinary Collaboration In Proceedings of MTAC 2001, Multimedia Technology and Applications, UC Irvine, , 255-260.

Grau, Oliver. Rhizome_Raw: Database of Virtual Art, Humboldt University of Berlin Leonardo 8, no. 3 (March 2000): 5-6.

Duguet, Anne-Marie. Vidéo, la mémoire au poing. Paris: Hachette litterature generale, 1981.

Brew, Kathy. Digital Portfolio Civilization: Magazine of the Library of Congress (Oct.-Nov. 1998): 79.

Schwarz, Hans-Peter, ed. Medien - Kunst - Geschichte. Anläßlich der Eröffnung des Museums für Neue Kunst, ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe am 18. Oktober 1997, Medienmuseum th ed.München, London, New York: Prestel Verlag, 1997.

Spalter, Anne Morgan. The Computer in the Visual Arts. Boston, MA: Addison-Wesely Longman Publishing Co., 1998.