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The Actual and the Imagined 2004

... and the Imagined In class="hit">Networked Narrative Environments...
The Cybernetic Stance: My process and Purpose. 1979

... Art, Mathematics and class="hit">Computers, edited by Roger F....
Die Ästhetik des Erscheinenden / Apparitional Aesthetics 1995

... Kompendium der class="hit">Computerkünste, edited by H....
Realität als interpretierte Wirklichkeit (Interview) 1999

... für Programm, class="hit">Forschung und Medienproduktion....
A Philiosophical Enquiry into the origin of our ideas of the Sublime and Beautiful 1909

... Beautiful. The Harvard Classics, Vol. 24, Part 2, New...
The Human Interface: Where People and class="hit">Computers meet 1984

... Where People and class="hit">Computers meet. Stamclass="hit">ford,... and class="hit">Computers meet. Stamclass="hit">ford, Connecticut, US: Wadsworth...
3D-class="hit">Computergrafik und -animation. Mit einer Beschreibung von Autodesk 3D Studio 1993

...Brugger, Ralf. 3D-class="hit">Computergrafik und -animation. Mit einer...
Victims Symptom - PTSD and Culture 2009

... Amsterdam: Institute class="hit">for class="hit">Networked Culture, 2009. Amsterdam: Institute class="hit">for class="hit">Networked Culture, 2009.
class="hit">Computerkultur 1985

...Weibel, Peter. class="hit">Computerkultur In class="hit">Computerkunst, edited by ...
Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von class="hit">Computern und Kunst 2000

... die Wechselwirkung von class="hit">Computern und Kunst Die Welt ...

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