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The Relative Velocity Inscription Device
2007
Vanouse, Paul. The Relative Velocity Inscription Device Signs of Life: Bio Art and Beyond, Ed. Eduardo Kac, MIT Press (2007): 277-283.
Decon: desconstrução, descontaminação, decomposição
2007
Marta de Menezes. Decon: desconstrução, descontaminação, decomposição NADA 9 (2007): 98-109.
The Decline of the Hollywood Empire
2006
Fischer, Hervé. The Decline of the Hollywood Empire. Vancouver: Talon Books, 2006.
Flesh Machine: Cyborgs, Designer B
abies
, & New Eugenic Consciousness
1998
...CAE. Flesh Machine: Cyborgs, Designer B
abies
, & New Eugenic Consciousness. New...
Media Art & Digital Humanities
2010
Grau, Oliver. Media Art & Digital Humanities Technology Imagination Future: Journal for Transdisciplinary Knowledge Design 4, no. 1 (2010): 1-22.
Media Art & Digital Humanities
2010
Grau, Oliver. Media Art & Digital Humanities Technology Imagination Future: Journal for Transdisciplinary Knowledge Design 4, no. 1 (2010): 1-22.
Les corps mutants des artistes. Bio-art
2007
Zwingenberger, Jeanette. Les corps mutants des artistes. Bio-art Rue Descartes 'La Metamorphose' , no. 64 (March 2007).
Talk to me. Design and the communication between people and objects [publ. in conjunction with the exhibition "Talk to me: design and the communication between people and objects" ... in the Department of Architecture and Design, at The Museum of Modern A
2011
Antonelli, Paola. Talk to me. Design and the communication between people and objects [publ. in conjunction with the exhibition "Talk to me: design and the communication between people and objects" ... in the Department of Architecture and Design,
PERFORMATIVE MATERIALS IN ARCHITECTURE AND DESIGN, Foreword by Philip Beesley
2013
Ng, Rashida and Sneha Patel, ed. PERFORMATIVE MATERIALS IN ARCHITECTURE AND DESIGN, Foreword by Philip Beesley. Bristol: Intellect Ltd, 2013.
Soil and Protoplasm: The Hylozoic Ground Project
2011
Armstrong, Rachel and Philip Beesley. Soil and Protoplasm: The Hylozoic Ground Project ARCHITECTURAL DESIGN: PROTOCELL ARCHITECTURE 81, no. 2 (2011): 78-89.
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