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Ascott, Roy. The Shamantic Web: art et technologie de la conscience In Pour une Ecologie des Media: Art, Cinéma, Vidéo, Ordinateur, edited by M. Klonaris and K. Thomadaki, 88-104. Paris: Astarti, 1998.

Ascott, Roy. The Technoetic Dimension of Art In Art @ Science, edited by Christa Sommerer and Laurent Mignonneau, 279-290. New York: Springer Verlag, 1998.

Ascott, Roy. Gesamtdatenwerk: Connectivity, Transformation, and Transcendence In Ars Electronica: Facing the Future, edited by Timothey Druckrey, 86-89. Cambridge: MIT Press, 2001.

Weibel, Peter. Die Differenz zwischen Malerei und Medien In Tuncay Boztepe, Werner Bosch, edited by Urart Sanat Galerisi IstanbulIstanbul: U. Sanat Galerie Istanbul, 1989.

Weibel, Peter. Wissen und Vision. Neue Schnittstellentechnologien der Wahrnehmung In Weltwissen Wissenswelt. Das globale Netz von Text und Bild, edited by Christa Maar and Hans-Ulrich Obrist and Ernst Pöppel, 66-73. Köln, DE: 2000.

Matsuoka, Seigow. The Science of the Beauties of Nature. Tokyo: Shunjusha, 1994.

Ascott, Roy. Behaviour at Table In Architectural Projects and Drawings from the Studio of Aslop, Barnett and Lyall, edited by Will Aslop and Cliff Barnett and John LyallLondon: Architectural Association, 1984.

Ascott, R.. Le moment télématique In L'estetica della communicazione, edited by M. Costa, 81-84. : Palladio Editrice, 1987.

Tosa, Naoko. Expression of Emotion, Unconsciousness with Art and Technology In Affective Minds, edited by Giyoo Hatano and Naoyuki Okada and Hiritaka Tanabe, 183-201. Philadelphia: Elsevier Science Health Science Division, 2000.

Ascott, Roy. Télénoïa In Esthétique des arts médiatiques, edited by L. Poissant, 363-384. Quebec, CAN: Presses de l'Université du Québec, 1995.