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Benayoun, M.. Qu’est-ce que le contemporain? Les cahiers de l’ENSAN (2006).

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. An affective model of user experience for interactive art International Conference on Advances in Computer Entertainment Technologies (2008).

Benayoun, M.. La Science soumise a la Question par l'Art http://www.academia.edu/35833598/La_Science_soumise_a_la_Question_par_lArt.

Siri Engberg, ed. FROM HERE TO THERE: ALEC SOTH'S AMERICA. Minnesota: Walker Art Center, 2010.

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. Using affective trajectories to describe states of flow in interactive art International Conference on Advances in Computer Entertainment Technologies (2009).

Benayoun, M.. L'éthique otaku : Tous seuls ensemble (la crise de contact et autres troubles des sens) http://www.academia.edu/35783297/L%C3%A9thique_otaku_Tous_seuls_ensemble_la_crise_de_contact_et_autres_troubles_des_sens_1999.

Berlot, Uršula. Neuroart, neuroaesthetics and the question of consciousness Journal for the Critique of Science, Imagination, and New Anthropology. Ljubljana: Inštitut Časopis za kritiko znanosti XLIV/265 (2016).

Pace, Alessandra. SCI-ART Bologna: Gallery Enrico Astuni (2009).

VICE. https://www.vice.com/en_us/article/xy4da7/skin-transforms-your-emotions-into-sound-a-color-through-sweat-data 05.06.2014.

Robles, Claudia. Audiovisual: Perspectivas de una entidad indivisible. IDEAS SONICAS, CMMAS , no. 14 (2015): 19 -23..