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Orlan, Stelarc and the Art of the Virtual Body 2005

Kluszczyński, Ryszard W.. Orlan, Stelarc and the Art of the Virtual Body Art Inquiry VII (2005): 85-94.
Sustainable Cinema No. 4: Shadow Play 2012

Hessels, Scott. Sustainable Cinema No. 4: Shadow Play Leonardo 4, no. 40 (2012): 384-395.
The Stereoscopic Art Installation Eccentric Spaces 2018

Simó, Águeda. The Stereoscopic Art Installation Eccentric Spaces ACM DL SIGGRAPH’18 (2018).
A Short History of Self-Representation in Digital Art 2020

Sauerlaender, Tina. A Short History of Self-Representation in Digital Art DAHJ (2020).
I maestri della Visual Music 2017

Abbado, Adriano. I maestri della Visual Music. : Skira, 2017.
Polylog. Für eine interaktive Kunst 1989

Lischka, Gerhard Johann and Peter Weibel. Polylog. Für eine interaktive Kunst Kunstforum International (Sept/Oct 1989): 65-86.
A-Volve: How much do you love the creature you create 1994

Sommerer, Christa and Laurent Mignonneau and M. Kushara. A-Volve: How much do you love the creature you create ICC InterCommunication Journal , no. 10 (October 1994).
Künstliches Leben: Frankensteins Nachkommen 2002

Cantoni, Rejane and Maria Teresa Santoro. Künstliches Leben: Frankensteins Nachkommen Dichtung Digital (online) (2002).
Arte y archivo. Genealogías, tipologías y discontinuidades 2011

Guasch, Anna María. Arte y archivo. Genealogías, tipologías y discontinuidades. Madrid, Spain: Akal / Arte Contemporáneo, 2011.
Emotional Traffic, Mechanics of Emotions 2005

Maurice, M. and Jean-Baptiste Barrière. Emotional Traffic, Mechanics of Emotions Ars Electronica 2005- Hybrid: Living in Paradox (2005).

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