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The Photo-Based Work of Art in the Age of Digital Simulation 1997

Madill, Shirley. The Photo-Based Work of Art in the Age of Digital Simulation Blackflash 15, no. 2 (1997): 12-20.
Creative Code 2004

Maeda, John. Creative Code. London: Thames&Hudson, 2004.
Nouveaux terrains d’apparition 2013

Courchesne, Luc. Nouveaux terrains d’apparition In Cinéma. interactivité et société, edited by Jean-Marie DalletPoitiers/Bruxelles: 2013.
Posture: An experiment in multifold reality 2013

Courchesne, Luc. Posture: An experiment in multifold reality In Architecture In Formation, edited by Pablo Lorenzo-Eiroa and A. SprecherNew York: Routledge: 2013.
The In/Visible Domain 2009

Courchesne, Luc. The In/Visible Domain. Montreal: Ideaction, 2009.
Art Design and Beyond 2009

Courchesne, Luc. Art Design and Beyond In Re-thinking the Contemporary Art School, edited by NSCAD PressHalifax: 2009.
Ser Digital; Manual para náufragos de la cultura electrónica. 2009

ALCALÁ MELLADO, José Ramón. Ser Digital; Manual para náufragos de la cultura electrónica.. Santiago de Chile (Chili): Ediciones de la Universidad de Chile., 2009.
Digital Debris in Internet Art: A Resistance to the Epistemology of Search in Ekprhasis Vol. 10, Issue 2/2013 'Recyling Images' 2013

Nils Jean. Digital Debris in Internet Art: A Resistance to the Epistemology of Search in Ekprhasis Vol. 10, Issue 2/2013 'Recyling Images' Ekphrasis Vol. 10, no. Issue 2 (2013): 212-221.
‘Totes Haus Ur or the Dislocation of Intimate Space’ 2010

Nils Jean. ‘Totes Haus Ur or the Dislocation of Intimate Space’ Mute Magazine (October 2010).
‘An Experiment on Phenomenology and Bio-mapping’ 2010

Nils Jean. ‘An Experiment on Phenomenology and Bio-mapping’ Mute Magazine (February 2010).

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