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Ming Turner. Ming Turner, “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” (2010).

Susana Pérez Tort. Susana Pérez Tort, “Pey Chwen Lin—The Portrait of Eve Clone” “Pey Chwen Lin—The Portrait of Eve Clone” (2010).

Fuks, Suzon and Lila Moore, ed. Water e-Motion: Transformative Water Views in Caring and Daring – Waterwheel World Water Day Symposium 2014 – 3WDS14, e-book. Australia: Igneous Incorporated, Australia, 2015.

Moore, Lila and Suzon Fuks, ed. Water e-Motion: Transformative Views In Water Views: Caring and Daring – Waterwheel World Water Day Symposium 2014 – 3WDS14, e-book. Australia: Igneous Incorporated, 2015.

Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.

Chih-Yung Aaron Chiu. Chih-Yung Aaron Chiu, “Eve Clone Series Critiques and Satirizes the Creations of the Technological Age” “Eve Clone Series Critiques and Satirizes the Creations of the Technological Age” (2012).

Chieh-Hsiang Wu. Chieh-Hsiang Wu, “The Transgressions of Aesthetics: Lin Pey Chwen Eve Clone Series” “The Transgressions of Aesthetics: Lin Pey Chwen Eve Clone Series” (2011).

Jane Tseng. Jane Tseng, “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory” “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory” (1999).

Susana Pérez Tort. Susana Pérez Tort, “Multimedia Semiotics of two works of art” “Multimedia Semiotics of two works of art” (2010).

Susana Pérez Tort. Susana Pérez Tort, “Semiótica de dos obras Multimediales” “Semiótica de dos obras Multimediales” (2010).