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Rust, Stephen and Salma Monani and Sean Cubitt, ed. The Ecocinema reader: Theory and Practice. New York: Routledge/Amercian Film Institute, 2012.

Philips, Christopher and Adrian Searle and Antoni Mercader. Muntadas. Espacios, lugares y situaciones. Santander, Spain: Fundación Marcelino Botín, 2008.

Moore, Lila. Roy Ascott, Artist's Profile https://wrldrels.org/2020/08/13/roy-ascott/ [30.08.2020].

Kera Denisa. Do-It-Yourself biology (DIYbio): Return of the Folly of Empiricism and Living Instruments In META-LIFE: Biotechnologies, Synthetic Biology, A-Life and the Arts, edited by Roger Malina & Louise Whiteley Annick BureaudCambridge,

Sommerer, Christa and Laurent Mignonneau. A-Volve - An Evolutionary Artificial Life Environment In Artificial Life, edited by Christopher G. Langton and Katsunori Shimohara, 167-175. Boston: MIT Press, 1997.

Sommerer, Christa and Laurent Mignonneau. Life Spacies II In Microwave – International Media Art Festival 2001, exhibition catalog, ed. E. Pau and T. Kong (Hong Kong: Microwave, 2001), 8-9., edited by E. Pau and T. Kong, 8-9. Hong Kong: Microwave,

Andrés Burbano and Nā‘Anae Mahiki and Skawennati and Daniel Cardoso Llach and Ernest Edmonds. Art Gallery Leonardo 4, no. 51 (AUGUST 2018): 426-445.

Rajah, Niranjan. The Representation Of A New Cosmology: Immersive Virtual Reality and the Integration of Epistemologies In Invencao: thinking the Next Millenium, Sao Paolo, Brazil: ITAU Cultural, CAiiA, 1999.

Hauser, Jens. Bio Art - Taxonomy of an Etymological Monster / Bio Kunst - Taxonomie eines Wortmonsters In Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine SchöpfLinz: 2005.

Whitelaw, Mitchell. System Stories and Model Worlds: A Critical Approach to Generative Art In Readme 100: Temporary Software Art Factory, edited by Olga Goriunova, 135-154. Norderstedt: BoD, 2005.