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HTTPVideo, HTTPpix: Creative Processes and Criticism in Image Networks
2010
Beiguelman, Giselle, ed. HTTPVideo, HTTPpix: Creative Processes and Criticism in Image Networks. São Paulo: Instituto Sergio Motta, 2010.
_HTTPpix _HTTPvideo Criação e Crítica nas Redes de Imagens
2010
Beiguelman, Giselle, ed. _HTTPpix _HTTPvideo Criação e Crítica nas Redes de Imagens. São Paulo: Instituto Sergio Motta, 2010.
apropriations of the (un) common public and private space in times of mobility
2009
Beiguelman, Giselle and Lucas Bambozzi and Marcus Bastos and Rodrigo Minelli, ed. apropriations of the (un) common public and private space in times of mobility. São Paulo: Instituto Sergio Motta, 2009.
Tecnofagias: ciência de ponta/ ciência de garagem(III Mostra 3M de arte digital: Tecnofagias. / curator de Giselle Beiguelman)
2012
Beiguelman, Giselle, ed. Tecnofagias: ciência de ponta/ ciência de garagem (III Mostra 3M de arte digital: Tecnofagias. / curator de Giselle Beiguelman). São Paulo/ Instituto Tomie Ohtake: Elo 3, 2012.
Cine del “postubo” en la era del fin de lo virtual
2014
Beiguelman, Giselle. Cine del “postubo” en la era del fin de lo virtual In El cine hace escuela, edited by Jorge La Ferla and Luis Alberto Quevedo, 183-191. Buenos Aires: Fundacion Telefonica, 2014.
“Os trópicos parecem conspirar contra a memória”
2014
Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).
“Os trópicos parecem conspirar contra a memória”
2014
Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).
“Os trópicos parecem conspirar contra a memória”
2014
Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).
“Os trópicos parecem conspirar contra a memória”
2014
Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).
“Os trópicos parecem conspirar contra a memória”
2014
Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).
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