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Banz & Bowinkel: Künstler grüssen als Avatare 2018

Meister, Helga. Banz & Bowinkel: Künstler grüssen als Avatare Westdeutsche Zeitung (July 2018).
Bis hier und nicht weiter 2018

Schons, Donna. Bis hier und nicht weiter Monopol (February 2018).
“Es ist okay, geflasht zu sein” 2017

Meyer, Anika. “Es ist okay, geflasht zu sein” Monopol - Blog (July 2017).
Es regnet nackte Männer 2017

Fastabend, Anna. Es regnet nackte Männer Der Freitag (July 2017).
RISING: Young Artists to keep an Eye on! 2011

Müller, Sabine Elsa. RISING: Young Artists to keep an Eye on!. 1 th ed.Cologne: DAAB Media, 2011.
Speaking Subject — Lin Pey- Chwen’s Eve Clone 2014

Fang-Ho, Cheng. Speaking Subject — Lin Pey- Chwen’s Eve Clone Artist Magazine (2014): 404-407.
Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series 2016

Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity 2014

Kuang-ying Kuo, Gwen. From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity Taiwan Digital Art and Information Center (2014).
Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011) 2012

Dr. Turner, Ming. Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011) n.paradoxa international feminist art journal 30 (2012): 33-39.
The Gaze from the Apocalypse 2016

Cheng-yu, Pan. The Gaze from the Apocalypse Art Accrediting, Kaohsiung Museum of Fine Arts , no. 67 (2016).

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