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“Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft 2007

Grau, Oliver. “Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft In Wie sich Gefühle Ausdruck verschaffen, edited by Klaus Herding and Antje
Dog[lab]01 2009

Cadet, France. Dog[lab]01 Antennea 9 (Spring 2009): 23-31.
Materializing New Media: Embodiment in Information Aesthetics 2006

... in Information Aesthetics. Hanover, NH/London:...
Theatre of Restless Automata review on boredomresearchs' solo exhibition at Peterborough Digital Arts 2006

...Boredomresearch. Theatre of Restless Automata review on...
Robotic Art 1997

Kac, Eduardo and Marcel.li Antunez Roca. Robotic Art Leonardo Electronic Almanac 5, no. 5 (May 1997).
Les artistes 100 tetes: Multitext, Xenomoney, Xenospace 2008

Cameron, Angus. Les artistes 100 tetes: Multitext, Xenomoney, Xenospace .
Futuros Emergentes: Arte, Interactividad y Nuevos Medios 2000

Landa, Kepa, ed. Futuros Emergentes: Arte, Interactividad y Nuevos Medios. Valencia, ES: Institució Alfonse el Magnánim, Diputació de Valencia, 2000.
Digital Performance: A History of New Media in Theatre, Dance, Performance Art and Installation 2007

... of New Media in Theatre, Dance, Performance...
Theory and Practice of Media Art: Aesthetic Parergons and Perspectives 2010

...isseleva, Olga and Oliver Grau. Theory and Practice of Media...
Me as MacGhillie 2010

Meyer, Eva. Me as MacGhillie In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic ResearchBerlin, Zürich: Diaphenes Verlag, 2010.

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