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Art Impact, La mémoire partagée à perte de vue
2000
Benayoun, Maurice. Art Impact, La mémoire partagée à perte de vue Ecart , no. 2 (2000).
From Virtual to Public Space Toward an Impure Art
2001
Benayoun, Maurice. From Virtual to Public Space Toward an Impure Art In Understanding Mixed Reality? / Spaces for Emergent Communication, Bonn: 2001.
On Line, Life Line, Art Shifts
2002
Benayoun, Maurice. On Line, Life Line, Art Shifts e-what, Conquest of Time (April 2002).
Standby Deliver
2000
Rinaldo, Kenneth. Standby Deliver Leonardo Electronic Almanac 33, no. 4 (2000).
Antike Mysterien: Funktionen und Gehalt
2003
Burkert, Walter. Antike Mysterien: Funktionen und Gehalt. München: C.H. Beck, 2003.
Support For New Media Arts In Canada: What Place For Artists?
2002
Burgess, Marilyn. Support For New Media Arts In Canada: What Place For Artists? Site Street, online journal (Fall 2002).
Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?
2001
Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?. New York, Wien: Springer Verlag, 2001.
Ars Electronica 2003: Code -The Language of our Time
2003
Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2003: Code -The Language of our Time. Ostfildern-Ruit: Hatje Cantz, 2003.
Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst
2000
Weibel, Peter. Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst Die Welt (February 25th 2000): 34.
M_ARS, Kunst und Krieg
2003
Weibel, Peter and Günther Holler-Schuster, ed. M_ARS, Kunst und Krieg. Ostfildern-Ruit: Hatje Cantz, 2003.
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