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Kuang-ying Kuo, Gwen. From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity Taiwan Digital Art and Information Center (2014).

Nijholt, Anton. Brain Art: Brain-Computer Interfaces for Artistic Expression. Enschede, The Netherlands: Springer Nature, Switzerland, 2019.

DOMINGUES, DIANA MARIA G. Cyber esthétique et l'ingénierie des sens en Software Art Mobile/Immobilized: Art, Technologies and (Dis) Abilities (2007).

DOMINGUES, DIANA MARIA G, ed. Creative Technologies and Innovation: Health and Wellbeing. Vol.1000. 27 th ed.UK: Taylor & Francis, Routlege, 2016.

Kluszczyński, Ryszard W.. From Digital Identity to Architecture of the Nanoworld: Remarks on the Art of Victoria Vesna In Blue Morph: Victoria Vesna + James Gimzewski, edited by Marta Korga and Anna Zalewska, 5-9. Gdańsk: Baltic Culture Center,

George Legrady and Abigail Solomon-Godeau. Refraction George Legrady https://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/re/refraction.html.

George Legrady and Abigail Solomon-Godeau. Refraction George Legrady https://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/re/refraction.html.

Institut National de l'Audiovisuel, ed. Le Livre Imagina: 10 ans d'images de synthese. : INA-Publications, 1990.

Lozano-Hemmer, Rafael. The Trace: Remote Insinuated Presence YLEM (September 1997).

Stone, Allucquére Rosanne. The War of Desire and Technology at the Close of the Mechanical Age. Cambridge, MA: The MIT Press, 1995.