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Sommerer, Christa and Laurent Mignonneau. Arte Y Ciencia - La Creacion en Todo su Potencial In Cyber@rt IV Muestra Internacional des Nuevas Tecnologias Tecnologías, Arte y Comunicación, edited by Angela Molina, 76-83. Valencia: 1999.

Bill Seaman. Roy Ascott – Early Interactive Work and Some Cybernetic Relationalities Cybernetics and Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cyber Semiotics (2018).

DOMINGUES, DIANA MARIA G. Art Interactif, corps couplé et sentiment post-biologique In Dialogues Sur L'Art et La Technologie, edited by Edmond Couchot, 123-138. Paris: L'Harmattan, 2001.

Banville, Annie-Claude. La polysensorialité dans Osmose de Char Davies In Jeunes chercheurs du CELAT, Montreal: 2000.

Grosenick, Uta and Burkhard Riemschneider, ed. Ausblick auf das neue Jahrtausend / Art at the Turn of the Millenium. Köln: Taschen Deutschland GmbH, 1999.

GASPARETTO, Débora Aita, ed. O "curto-circuito" da arte digital no Brasil. Vol.1. 1, 1 th ed.Santa Maria: edição do autor, 2014.

Smith, Matthew Wilson. Liquid Walls: The Digital Art of Tamiko Thiel Performing Arts Journal 32, no. 3 (September 2010): 25-34.

Guasch, Anna María. El arte del siglo XX en sus exposiciones: 1945-1995. Barcelona, Spain: Ediciones del Serbal, 1997.

Jamieson, Helen Varley. UpStage: a platform for creating and performing online IEEE Multimedia 14, no. 3 (July-September 2007).

Benayoun, M. and Maria Roussou. Immersive Virtual, Mixed, or Augmented Reality Art The International Journal of Arts and Technology (2010).