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Beiguelman, Giselle and Ana Gonçalves Magalhães, ed. Possible Futures: Art, Museums and Digital Archives. São Paulo: Peirópolis/ Edusp, 2014.

Biggs, Simon and James Leach. Autopoeisis: Novelty, Meaning and Valve. London: Artwords Press, 2004.

Weibel, Peter. Musik und Medien. Vom Klang im technischen Zeitalter. Vol.2. Enzyklopädie der Medien, Berlin: Hatje Cantz, 2016.

Walser, Randal. The Emerging Technology of Cyberspace / Die heranwachsende Technologie des Cyberspace In Ars Electronica 1990 - Digitale Träume Virtuelle Welten, edited by Gottfried Hattinger and Morgan Russel Russel and Christine Schöpf and

DOMINGUES, DIANA MARIA G. Sistemas enativos biocíbridos: sinestesia e afetividade na reengenharia da vida In Tecnologia e Saúde, edited by Ana Paula MACHADO VELHO and Cássia Kely FAVORETTO COSTA and Miriam Ieda YAMAGUCHIVol.1. , 39-77. Maringá:

Smite, Rasa and Raitis Smits, ed. Virtualities and Realities - New Experiences, Art and Ecologics in Immersive Environments. Vol.17. ISBN 978-9934-8434-7-1, Acoustic Space th ed.Riga: RIXC Center for New Media Culture, 2019.

Del Favero, Dennis and Peter Weibel and Jeffrey Shaw. Towards a Dialogic Concept of Digital Narrative In Disappearing Architecture: From Real to Virtual to Quantum, edited by G. Flachbart and Peter Weibel, 144-151. Basel: Birkhauser Verlag, 2005.

Ascott, Roy. Information Technology Assessment Report. London: 1998.

Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.

Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.