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Sanchez Cardona, LM. Sounds [That] Are Not. Is there any time left? In Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene, edited by Ryszard W. KluszczynskiArt+Science Meetings, Gdańsk: LAZNIA Centre for

Sanchez Cardona, LM. The making of a nomenclature: José Iges on Radiophonic Art In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila MildorfLondon: Lexington Books, 2020.

Sanchez Cardona, LM. Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico In Seven experiences of listening and protest in artistic practices, edited by Ana

Sanchez Cardona, LM. Sonar. Navigation // Location of Sound in the Artistic Practices in the 20th Century. Documentos DAH, Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor, 2018.

Sanchez Cardona, LM. Electronic Samuel Beckett: Cochlear Samuel Beckett. Documentos DAH, Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor, 2016.

Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.

Sanchez Cardona, LM. Approximations to the New Narrative of Jalisco. Guadalajara: Universidad de Guadalajara/Fonca, 2000.

Sanchez Cardona, LM. An image no for the eyes made with words not for the ear In Folios Reverberations: Art and Sound in the MUAC Collections, edited by Israel MartínezMexico: University Museum of Contemporary Art MUAC, 2017.

Sanchez Cardona, LM. Intermittent Space: Sound, Violence, Ambiance and Affective Politics of Fear in Contemporary Mexico Unlikely Journal for Creative Arts , no. Issue 7 (https://unlikely.net.au/issue-06/intermittent-space 2020): online.

Roger Malina, ed. Leonardo (Journal of the International Society of Arts, Sciences and Technology) Volume 34 Number 4.. Vol.34. 4 th ed.New York, NY: Leonardo / MIT Press, 2001.