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Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. 1 th ed.Canada: Heritage House Publishing and Surrey Art Gallery,

Borda, Sylvia Grace. Shifting Perspectives. Vancouver: Heritage House Publishing and Surrey Art Gallery, 2020.

Borda, Sylvia Grace, ed. Shifting Perspectives. Vancouver: Heritage House Publishing and Surrey Art Gallery, 2020.

Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).

Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).

Nijholt, Anton. Brain Art: Brain-Computer Interfaces for Artistic Expression. Enschede, The Netherlands: Springer Nature, Switzerland, 2019.

Sweet, Paula. What Is Between Us: A Visual Survey of Nina Sobell's work 2007- 2019. Vicenza, Italy: Second Guess Press, Amazon, 2020.

Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring

Joan Truckenbrod, Chair: The Art Gallery: Touchware. ACM SIGGRAPH Electronic Art and Animation Catalogue Computer Graphics Annual Conference Series 1998 ISBN 1-58113-045-7 ISSN 1098-6154 © 1998 ACM Association for Computing Machinery

Sobell, Nina. UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York: Louffa Press, 2020.