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Jankel, Annabel and Rocky Morton. Creative Computer Graphics. Cambridge, UK: Cambridge University Press, 1984.

Serfözö, Sascha. Genetische Kunst - Künstliches Leben Das Kunst-Bulletin - Schweizer Kunstverein (October 1993 1993).

Jones, Caroline A. ;Galison, Peter Louis, ed. Picturing Science, Producing Art. London: Routledge, 1998.

Nideffer, Robert and Walt Scacchi and Joe Adams. New Frontiers for Entertainment Computing. Boston: Springer, 2008.

Weibel, Peter. The Media Pavillon. Art and Architecture in the Age of Cyberspace. In Art and Architecture in the Age of Cyberspace., edited by Peter WeibelVienna: Biennale di Venezia, 1995.

DOMINGUES, DIANA MARIA G and Suzete VENTURELLI. Criação e Poéticas Digitais. Vol.1. Caxias do Sul: EDUCS, 2005.

Fleischmann, Monika and Wolfgang Strauss. Staging of the Thinking Space: From Immersion to Performative Presence In Paradoxes of Interactivity, edited by Jin Hyun Kim, Uwe Seifert and Anthony MooreISBN 978-3-89942-1, , 266-281. Bielefeld:

Fleischmann, Monika and Wolfgang Strauss. Staging of the Thinking Space: From Immersion to Performative Presence In Paradoxes of Interactivity, edited by Jin Hyun Kim, Uwe Seifert and Anthony MooreISBN 978-3-89942-1, , 266-281. Bielefeld:

ZKM and Graz Neue Galerie, ed. Jeffrey Shaw - eine Gebrauchsanweisung - Vom Expanded Cinema zur Virtuellen Realität. Ostfildern-Ruit: Hatje Cantz Verlag, 1997.

Weinberger, David. When Things Aren´t What They Are / Wenn Dinge nicht sind, was sie sind In Ars Electronica 2005 : HYBRID - Living in Paradox, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz Verlag, 2005.