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Film Medium: Zoe Beloff´s Uncanny Resurrections 2002

McCleave, Leslie. Film Medium: Zoe Beloff´s Uncanny Resurrections Res Magazine 5, no. 3 (2002).
Endophysik, die Welt des inneren Beobachters 1992

Rössler, Otto E.. Endophysik, die Welt des inneren Beobachters. Berlin: Merve, 1992.
Rigid Waves - Liquid Views 1993

Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Rigid Waves - Liquid Views In Machine Culture; Visual Proceedings of Siggraph '93, edited by Simon PennyAnaheim, LA: 1993.
Liquid Views 1994

Fleischmann, Monika and Christian Bohn and Wolfgang Strauss. Liquid Views In Arte Virtual, edited by Rafael Lozano-HemmerMadrid, ESP: Electa Edition, 1994.
Liquid Views 1995

Fleischmann, Monika and Christian-A. Bohn and Wolfgang Strauss. Liquid Views In Press/Enter, Toronto, CAN: 1995.
O Livro depois do Livro 2003

Beiguelman, Giselle. O Livro depois do Livro. Sao Paulo: Editora Peiropolis, 2003.
Bricks/Bits.html: Intervenções urbanas 1.0 2002

Beiguelman, Giselle. Bricks/Bits.html: Intervenções urbanas 1.0 In Intervenções urbanas. Arte/Cidade, edited by Nelson Brissac PeixotoSão Paulo, Brazil: Senac, 2002.
Liquid Texts 2002

Beiguelman, Giselle. Liquid Texts Leonardo Electronic Almanac 10, no. 08 (2002).
Das Bild nach dem letzten Bild 1991

Weibel, Peter. Das Bild nach dem letzten Bild In Das Bild nach dem letzten Bild: Ausstellungskatalog Galerie Metropol Wien, edited by Peter Weibel and Christian Meyer, 183-213. Köln: Verlag der Buchhandlung Walther König, 1991.
WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? 2004

Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.

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