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Glahn, Philip and Cary Levine. The Future Is Present: Electronic Café and the Politics of Technological Fantasy http://artjournal.collegeart.org/?p=12492.

Glahn, Philip and Cary Levine. The Future Is Present: Electronic Café and the Politics of Technological Fantasy http://artjournal.collegeart.org/?p=12492.

Glahn, Philip and Cary Levine. The Future Is Present: Electronic Café and the Politics of Technological Fantasy http://artjournal.collegeart.org/?p=12492.

Glahn, Philip and Cary Levine. The Future Is Present: Electronic Café and the Politics of Technological Fantasy http://artjournal.collegeart.org/?p=12492.

Glahn, Philip and Cary Levine. The Future Is Present: Electronic Café and the Politics of Technological Fantasy http://artjournal.collegeart.org/?p=12492.

Glahn, Philip and Cary Levine. The Future Is Present: Electronic Café and the Politics of Technological Fantasy http://artjournal.collegeart.org/?p=12492.

Sandhofer, Margareta. Naturlistische Ironie [Naturalistic Irony] artmagazine.cc (November 2011).

Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.

Schulze, Holger. Heuristik – Theorie der intentionalen Werkgenese. Vol.2, pp. 125-132. ISBN 3-89942-326-7, 1 th ed.Bielefeld: Transcript Verlag, 2005.

Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich