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Análisis de la #EncuestaInsultarte por Nilo Casares 2015

Casares, Nilo. Análisis de la #EncuestaInsultarte por Nilo Casares http://www.insultarte.net/2015/04/analisis-de-la-encuestainsultarte-por.html.
Dubious Views: Questioning Institutional representations in tourism and cartography 2007

Turbulence, org. Dubious Views: Questioning Institutional representations in tourism and cartography Turbulence.org June 18, 2007 (June 2007).
JetSet: Transitory artist 2004

Defoy, Michel. JetSet: Transitory artist ENROUTE magazine, Air Canada (July 2004): 19.
Digital Art in Cuba: Increasing enthusiasm for Digital Art 2002

Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).
New Frontiers for Entertainment Computing 2008

Nideffer, Robert and Walt Scacchi and Joe Adams. New Frontiers for Entertainment Computing. Boston: Springer, 2008.
Eight Questions (and Answers) about Machinima 2011

Nideffer, Robert. Eight Questions (and Answers) about Machinima Journal of Visual Culture 10, no. 1 (April 2011): 66-73.
Mondes Sensibles 2016

Kisseleva, Olga. Mondes Sensibles. France: CDA d'Enghien, 2016.
VIDEOBRASILTrês décadas de vídeo, arte, encontros e transformações 2015

Farkas, Solange and Teté Martinho, ed. VIDEOBRASIL Três décadas de vídeo, arte, encontros e transformações. 2015 th ed.São Paulo, Brasil: dições Sesc São Paulo, 2015.
The Questions: Jodi 2015

Jacob Lillemose. The Questions: Jodi http://www.kunstkritikk.no/nyheter/modified-software/ [Kunstkritikk, June 2015].
Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement, 2016 2016

Shin, Ryan, ed. Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement, 2016. University of Arizona: IGI Global, 2016.

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