Archive Search

  • Serexhe, Bernhard.. Threshold Country Media Art catalog n/a, no. n/a (n/a 2006): 32.
  • Everitt, Dave and Fania Raczinski. Creative Visualisation of Magic Squares Proceedings of EVA London 2020 (EVA 2020) https://doi.org/10.14236/ewic/eva2020.39 (2020).
  • Dave, Everitt and Fania Raczinski. Personal Space code::art::0 (January 2019).
  • Everitt, Dave. Art as Digital Exploration. Series on Cultural Computing, https://doi.org/10.1007/978-1-4471-7367-0_17 th ed.https://link.springer.com/chapter/10.1007%2F978-1-4471-7367-0_17: Springer, 2018.
  • Everitt, Dave and Fania Raczinski. Creative Zombie Apocalypse: A Critique of Computer Creativity Evaluation 2016 IEEE Symposium on Service-Oriented System Engineering (SOSE) , no. https://doi.org/10.1109/sose.2016.30 (March 2016).
  • Everitt, Dave. Between the crystalline and the chaotic Digital Creativity , no. https://doi.org/10.1080/14626268.2013.813379 (September 2013).
  • Everitt, Dave and Simon Mills. Cultural anxiety 2.0 Media, Culture & Society , no. https://doi.org/10.1177/0163443709339463 (September 2009).
  • Michelin, Simone. Portfólio, DesConcerto. ECO-Pós “Televisão, produção, programação, recepção” v.7, no. n.1 (Jan-July 2004): 127- 133.
  • Michelin, Simone. Portfólio, DesConcerto. ECO-Pós “Televisão, produção, programação, recepção” v.7, no. n.1 (Jan-July 2004): 127- 133.
  • Michelin, Simone. Do Mito, Media & Movimento Concinitas ano 4, no. n.4 (março 2003): 44 a 52.